Symposium: The Rise of Can-ga edited by Chris Reyns-Chikuma |
| John A. Lent |
1 |
Editor’s Notes |
Chris Reyns-Chikuma |
4 |
Introduction: Canada + Manga = Canga? |
Jean Sébastien |
18 |
Quebec Welcomes Manga or Towards a New Thread in the Imagined Community |
Sylvain Rheault |
33 |
The Ways in Which Manga Enters Canada |
Zachary Winchcombe |
45 |
“Discovering” Gekiga: Drawn and Quarterly, Yoshihiro Tatsumi, and Manga in Canada |
Ryan Clement |
65 |
Is “Can-ga” the Next Scott Pilgrim? How Canada Can Draw on Japanese Manga and Its Own Diverse Communities to Celebrate and Promote Its Own Comic Creators |
Tsugumi (Mimi) Okabe |
84 |
Reading Jane Austen in Canadian Shōjo Manga: Risks and Rewards |
Fabrice Leroy |
95 |
The Algerian War Through the Noir Lens in Jacques Ferrandez and Maurice Attia’s Alger la noire |
Roman Rosenbaum |
115 |
The Representation of the U.S.-Japan Alliance in Manga |
Joseph “Rusty” Witek |
162 |
Choices and Chances: Getting to Be a Comics Scholar |
Sara W. Duke |
179 |
Drawing the Dust Bowl: An Interview with Aimee de Jongh |
Roger Sabin |
187 |
Working with the “Friendliest Gang in Academia” |
Oleg Dergachov |
201 |
“To Say Out Loud Everything You Think About and Everything Around You” --The Views of Russia’s Viktor Bogorad |
Oleg Dergachov |
212 |
A Defiant Chronicler of War in Ukraine: Vladimir Kazanevsky |
Wang Jing Translated by Xu Ying |
222 |
My Friend and Muse, Li Binsheng: Master Cartoonist, Peking Opera Performer, Magician, and Folklorist |
Mike Rhode |
231 |
Brilliant Color-Blind Colorist: Haitian Cartoonist Thony Loui |
Amanda Kennell |
246 |
Satoshi Kon’s Opus through His Anime |
Kinko Ito |
268 |
Gengoroh Tagame: An Award-winning, Openly-Gay, Erotic, Manga Artist Portrays Gay Life and Issues for the General Audience |
Mark David Nevins |
281 |
The “Art” of the Swipe (Or: Revenge of the Fanboys) |
Mike Rhode |
307 |
The Occasionally Fabulous Cartooning Life of Eric Orner |
Ian Gordon |
330 |
Martin Barker (1946-2022) |
Jonathan Gray |
334 |
Big Name B: With Thanks to and in Memory of Martin Barker |
Mackenzi McGowan |
337 |
Quixotic “Adaptations”: 21st Century Illustrative and Written Tributes of Don Quijote |
Y. S. Seo and Austin Kang |
356 |
Effects of Service Quality Characteristics of “Lore Olympus” on User Satisfaction and Reuse Intention of Generation Z in Korea |
Delázkar Rizo |
376 |
Irreverence Images. Everyday Rebellion in Paul Kirchner’s and Gary Larson’s Cartoons |
Jason D. DeHart |
388 |
Namor: The Dynamics of Outsider and Insider |
Dietrich Grünewald Translated by Abigail Fagan |
395 |
Abstract Comics A Challenge to the Audiences’ Imaginative Capacities |
Xu Ying |
414 |
Chinese Comic Artist Cai Weidong |
Pritesh Chakraborty |
424 |
A Comparative Analysis of the Representation of Violence in Fanon’s The Wretched of the Earth and Selected Batman Comics |
Georgina González Mendívil |
439 |
Pompeyo the Villain and Couples’ Interactions |
John A. Lent |
446 |
New Book Series and Reprints |
Mike Rhode |
449 |
Randy Scott Retires from Michigan State University Library’s Comic Art Collection |
Rik Spanjers |
451 |
A Colonial Perspective on the Indonesia-Netherlands Comics Connection |
Lara Saguisag |
459 |
Mystery, Magic, and Love in Manila: A Review of Three Graphic Novels from the Philippines |
Paul Levitz
John A. Lent
Sam Cowling
Elke Defever
Chris York
Xu Ying
James Willetts
Christopher M. Roman
Cord A. Scott Viola Burlew John A. Lent |
501 |
Book Reviews |
Mark McKinney |
501 |
A Funereal Exhibition |
Clio Ding |
514 |
An Exhibition Review |
Domingos Isabelinho |
521 |
A Challenge |
